{"version":"1.0","provider_name":"GuardianTV","provider_url":"https:\/\/guardian.ng\/tv","author_name":"Abiodun Ogundairo","author_url":"https:\/\/guardian.ng\/tv\/author\/abiodun\/","title":"\u00c9migr\u00e9s, exiles and refugees: Venice Biennale welcomes foreigners - GuardianTV","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"zoJEZKJRG6\"><a href=\"https:\/\/guardian.ng\/tv\/emigres-exiles-and-refugees-venice-biennale-welcomes-foreigners\/\">\u00c9migr\u00e9s, exiles and refugees: Venice Biennale welcomes foreigners<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/guardian.ng\/tv\/emigres-exiles-and-refugees-venice-biennale-welcomes-foreigners\/embed\/#?secret=zoJEZKJRG6\" width=\"600\" height=\"338\" title=\"&#8220;\u00c9migr\u00e9s, exiles and refugees: Venice Biennale welcomes foreigners&#8221; &#8212; GuardianTV\" data-secret=\"zoJEZKJRG6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/guardian.ng\/tv\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/s3.eu-west-1.amazonaws.com\/tv.guardian.ng\/2024\/06\/Emigres-exiles-and-refugees.png","thumbnail_width":480,"thumbnail_height":270,"description":"It\u2019s the oldest, largest contemporary art show in the world: the Venice Biennale has kicked off its 60th edition under the heading \"Foreigners Everywhere\". Arts editor Eve Jackson brings us the latest from the event, explaining why the artist and curator selected for the Israeli pavilion chose to keep it closed."}