{"id":83630,"date":"2024-12-05T12:20:38","date_gmt":"2024-12-05T12:20:38","guid":{"rendered":"https:\/\/tv.guardian.ng\/?p=83630"},"modified":"2024-12-05T07:21:08","modified_gmt":"2024-12-05T07:21:08","slug":"the-ruins-of-paris-through-the-lenses-of-yves-marchand-and-romain-meffre","status":"publish","type":"post","link":"https:\/\/guardian.ng\/tv\/the-ruins-of-paris-through-the-lenses-of-yves-marchand-and-romain-meffre\/","title":{"rendered":"The ruins of Paris through the lenses of Yves Marchand and Romain Meffre"},"content":{"rendered":"<div class=\"dailymotion-player\"><script src=\"https:\/\/geo.dailymotion.com\/player\/x1ee8e.js\" data-video=\"k6er9ujjYDnQEIBZov4\"><\/script><\/div><br><br><p><\/p>\n"},"excerpt":{"rendered":"<p>Two photographers whose images look like something you might see in a Hollywood high budget film have spoken to FRANCE 24 about their work. They take pictures of Paris, and then use artificial intelligence to adapt them to take viewers to a post-apocalyptic world where humans are perhaps no more. Their photography has been made into a book Les Ruines de Paris, or the ruins of Paris. Yves Marchand and Romain Meffre spoke to us in perspective.<\/p>\n","protected":false},"author":2,"featured_media":83631,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"_gam_disable_ads":false,"footnotes":""},"categories":[1539],"tags":[740,35483,35481,35482],"class_list":["post-83630","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-world","tag-paris","tag-romain-meffre","tag-ruins","tag-yves-marchand","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/83630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/comments?post=83630"}],"version-history":[{"count":0,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/83630\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media\/83631"}],"wp:attachment":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media?parent=83630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/categories?post=83630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/tags?post=83630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}