{"id":84879,"date":"2025-02-08T14:45:03","date_gmt":"2025-02-08T14:45:03","guid":{"rendered":"https:\/\/tv.guardian.ng\/?p=84879"},"modified":"2025-02-08T07:47:48","modified_gmt":"2025-02-08T07:47:48","slug":"metoo-power-and-abuse-in-the-french-film-world","status":"publish","type":"post","link":"https:\/\/guardian.ng\/tv\/metoo-power-and-abuse-in-the-french-film-world\/","title":{"rendered":"#MeToo: Power and abuse in the French film world"},"content":{"rendered":"<div class=\"dailymotion-player\"><script src=\"https:\/\/geo.dailymotion.com\/player\/x1ee8e.js\" data-video=\"k528HSx3zzMTSxCmMbU\"><\/script><\/div><br><br><p><\/p>\n"},"excerpt":{"rendered":"<p>Haenel, now 35, was the first top actor in France to accuse the film industry of turning a blind eye to sexual abuse after the #MeToo movement broke out. In 2019, she accused Ruggia of having repeatedly touched her inappropriately during and after filming of the movie &#8220;Les Diables,&#8221; or &#8220;The Devils,&#8221; in the early 2000s<\/p>\n","protected":false},"author":2,"featured_media":84880,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"_gam_disable_ads":false,"footnotes":""},"categories":[1539],"tags":[47,36081,407,774],"class_list":["post-84879","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-world","tag-abuse","tag-film-world","tag-french","tag-power","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/84879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/comments?post=84879"}],"version-history":[{"count":0,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/84879\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media\/84880"}],"wp:attachment":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media?parent=84879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/categories?post=84879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/tags?post=84879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}