{"id":86890,"date":"2025-05-11T16:26:23","date_gmt":"2025-05-11T16:26:23","guid":{"rendered":"https:\/\/tv.guardian.ng\/?p=86890"},"modified":"2025-05-11T07:27:27","modified_gmt":"2025-05-11T07:27:27","slug":"clair-obscur-the-french-video-game-taking-the-world-by-storm","status":"publish","type":"post","link":"https:\/\/guardian.ng\/tv\/clair-obscur-the-french-video-game-taking-the-world-by-storm\/","title":{"rendered":"&#8216;Clair Obscur&#8217;: The French video game taking the world by storm"},"content":{"rendered":"<div class=\"dailymotion-player\"><script src=\"https:\/\/geo.dailymotion.com\/player\/x1ee8e.js\" data-video=\"k5s8sJbNrhg4bOCZZYc\"><\/script><\/div><br><br><p><\/p>\n"},"excerpt":{"rendered":"<p>In this edition of arts24, we&#8217;re focusing on the video game of the year and it\u2019s proudly, unmistakably French. &#8220;Clair Obscur: Expedition 33&#8221;, created by a small studio in Montpellier, is taking the world by storm. With its Belle \u00c9poque-inspired world, haunting story and hybrid gameplay, it sold more than a million copies in just three days and even earned praise from President Emmanuel Macron. One of the minds behind the phenomenon, the co-director and co-founder of Sandfall Interactive, Fran\u00e7ois Meurisse joins Eve Jackson to talk about the game\u2019s success. Also on the show: the best looks from Monday night&#8217;s Met Gala and an impressive Paris exhibition showing sensuous and undulating artwork made by British artist Kate MccGwire out of discarded feathers that she&#8217;s been collecting for 20 years.<\/p>\n","protected":false},"author":2,"featured_media":86892,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"_gam_disable_ads":false,"footnotes":""},"categories":[1539],"tags":[36985,407,11309],"class_list":["post-86890","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-world","tag-clair-obscur","tag-french","tag-video-game","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/86890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/comments?post=86890"}],"version-history":[{"count":0,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/86890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media\/86892"}],"wp:attachment":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media?parent=86890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/categories?post=86890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/tags?post=86890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}