{"id":87377,"date":"2025-05-23T06:28:00","date_gmt":"2025-05-23T06:28:00","guid":{"rendered":"https:\/\/tv.guardian.ng\/?p=87377"},"modified":"2025-05-23T02:28:41","modified_gmt":"2025-05-23T02:28:41","slug":"remembering-cesaria-evora-paris-exhibition-honours-the-barefoot-diva","status":"publish","type":"post","link":"https:\/\/guardian.ng\/tv\/remembering-cesaria-evora-paris-exhibition-honours-the-barefoot-diva\/","title":{"rendered":"Remembering Cesaria Evora: Paris exhibition honours the barefoot diva"},"content":{"rendered":"<div class=\"dailymotion-player\"><script src=\"https:\/\/geo.dailymotion.com\/player\/x1ee8e.js\" data-video=\"k7hdmQeP4TANSID6jIc\"><\/script><\/div><br><br><p><\/p>\n"},"excerpt":{"rendered":"<p>The curator of a new exhibition in Paris dedicated to the legendary barefoot diva, Cesaria Evora, spoke to FRANCE 24 about the singer&#8217;s profound influence on world music. Evora began her career as a teenager, performing for sailors in her native Cape Verde, but it wasn\u2019t until the age of 50 that she was discovered in Paris. Evora&#8217;s deep captivating voice singing songs in the Morna style soon became famous across the planet. Curator Emilie Silva joined us in Perspective.<\/p>\n","protected":false},"author":2,"featured_media":87378,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"_gam_disable_ads":false,"footnotes":""},"categories":[1539],"tags":[37204,37203,15371],"class_list":["post-87377","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-world","tag-barefoot-diva","tag-cesaria-evora","tag-paris-exhibition","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/87377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/comments?post=87377"}],"version-history":[{"count":0,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/posts\/87377\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media\/87378"}],"wp:attachment":[{"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/media?parent=87377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/categories?post=87377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guardian.ng\/tv\/wp-json\/wp\/v2\/tags?post=87377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}