Samuel Oladele explores African spirituality, heritage in new photo exhibition

The pieces are bold and enthralling. It draws you in with vibrant colours carefully applied on dark shiny skin. It is both humane and exotic— springing to mind concepts of spiritualism and celebration.

Samuel Oladele’s photo projects set itself different from the mold by its attention to detail and the sheer ambition within the ideas.

The artist describes his style as Afro-Surrealist Photography, a unique fusion of African cultural elements, symbolic storytelling, and emotive visuals. This distinct approach allows him to explore complex themes such as identity, spirituality, and the intersection of the physical and metaphysical worlds. Through the lens of Afro-Surrealism, he aims to challenge stereotypes, celebrate African cultural heritage, and foster cross-cultural understanding.

Two of Oladele’s more celebrated projects, Spirituality and Face Painting in Africa and Inferno’s Dance, epitomize this approach. The former delves into the significance of face painting in African spiritual practices, exploring its role in rituals, ceremonies, and the embodiment of divine forces. Through vivid, symbolic imagery, this project highlights the sacred connection between the body and the divine, inviting viewers to reflect on the power of spirituality in African cultures.

Inferno’s Dance, on the other hand, captures the breathtaking art form of African fire dance. This project not only celebrates the skill and artistry involved in the performance but also delves into the cultural significance of fire as a symbol of transformation, power, and spiritual energy. These works, rich with cultural and spiritual symbolism, serve as visual narratives that celebrate African heritage while challenging the viewer to engage with its deeper meanings.

Growing up in Ilorin, Nigeria, surrounded by vibrant traditional African art and culture, Samuel Oladele’s appreciation for African heritage was sparked at a young age. His childhood home, adorned with intricate African textiles, carvings, and sculptures, served as a visual and cultural feast, inspiring a lifelong passion for creativity. Despite this early exposure, it wasn’t until he discovered photography in 2020 that his true artistic vision began to take shape.

During his teenage years, formal art classes introduced Oladele to the fundamentals of drawing, painting, and sculpture. These lessons in color theory, composition, and creative expression laid a strong foundation for his later work.

Samuel immersed himself in the works of African diasporic artists like Rotimi Fani-Kayode, Samuel Fosso, and Ayana V. Jackson, he found inspiration in the ways these artists redefined narratives around African identity and spirituality.

When asked about his work process, Sammy chooses to be very hands on with the creation of his art. He investigates the portfolios of his potential partners and then curates detailed moodboards for the makeup artists he chooses to collaborate with. These are then implemented, whilst being open to inspiration that may come. Through this process, works of art with strong themes are created.

Looking forward, Oladele’s next exhibition will delve deeper into the symbolism and mythology of African masks, showcasing the intersection of spirituality, nature, and humanity. His work continues to evolve, driven by a desire to create a more nuanced, inclusive representation of African spirituality and cultural heritage.

Spirituality and Face Painting in Africa has enjoyed considerable success having been exhibited in Andakulova Gallery in the UAE and Thompson Gallery in Switzerland.

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