In two years, Bluenax has gone from a behind-the-scenes record label executive to one of the most streamed Amapiano producers in Nigeria.

When Kaunda Caleb, better known by his stage name Bluenax, decided to stop working only behind the scenes and step into the limelight, even he did not expect how quickly things would change.

Bluenax, once a record label executive who promoted artists and coordinated hit productions, made the bold move in late 2023 to release his own Amapiano instrumental titled Spongapiano. The gamble paid off. The track dominated radio stations nationwide and became an instant fan favourite.

“At first, everyone around me felt it was odd to just be dropping instrumentals and that I wouldn’t last long, but I proved all of them wrong,” Bluenax said with a laugh.

Since then, the producer has built a reputation as one of the most consistent and innovative names in the Nigerian Amapiano scene. Today, he boasts millions of streams across platforms.

For Bluenax, real success is measured in loyalty. “Success to me means a huge dedicated audience/fanbase not just in Nigeria or Africa but globally… a scenario where all I have to do is release the music and my fans will handle the social media marketing themselves,” he explained.

His growing influence has led him to work with big names across Nigeria and South Africa, including Epianoh, Kvng Vinci, Officixl RSA, Unlimited Soul, Sthipla RSA, Ngobz, Cull Mobb, Sound by Slim and Chris Effect. His collaboration with Epianoh was especially meaningful, as the South African producer described Bluenax as “one of the greatest minds” he had ever encountered.

Bluenax also predicts that Amapiano’s rise is far from over. “I really believe Amapiano might overshadow Afrobeats in years to come. Most Afrobeat songs already fuse Amapiano elements like log drums and shakers, and I see myself at the forefront of that future,” he said.

Outside the studio, Bluenax is grooming the next generation of stars. He has set up his own record label and currently manages more than 30 artists, a move he describes as both a responsibility and an extension of his passion.

For up-and-coming Nigerian producers, his advice is simple but sharp: “Be yourself, pray, work hard, and treat music like a business. Don’t be afraid to invest in your art — every business requires capital.”