When you meet George Imadiyi, the first thing you notice isn’t the voice or the music, it’s the quiet conviction. The kind that says, I know where I come from. And now, he’s putting that truth into his name.

From this moment forward, he’s no longer Gmoney Imadiyi. He’s EdoMan.

This isn’t some industry gimmick or calculated rebrand. It’s a name rooted in something far more meaningful: his culture, his heritage, and the legacy he wants to pass on through his music.

George has always created from a place of depth. His sound carries ancestral echoes, traditional rhythms, and a kind of honesty you don’t hear every day. Choosing the name EdoMan is his way of saying: I don’t need to chase anything. I’m already enough as I am because of my identity as an Edo son e.t.c.

And that’s something young artists need to see — that you don’t have to water yourself down to be accepted. That being immersed in your roots is a strength, not a limitation.

So here he is — George Imadiyi, reborn in name but never lost in purpose. EdoMan isn’t just a name he wears. It’s a name he lives.