When Min. Joseph LB released “My Steps” on 22 November 2023, the single arrived as a fresh breath in the Nigerian gospel scene. What seemed at first like another uplifting track has, in a matter of weeks, become the centre of conversations about where gospel music can go next. It has found a surprising home in playlists that place Afro-fusion and gospel side by side, proof that the lines dividing sacred and popular music are no longer fixed.

The creative force guiding this shift is Uchenna Benjamin, professionally known as Urchman. Based in Port Harcourt, Urchman is not confined to one title; he is a producer, music director, songwriter, sound engineer, live music producer, and multi-instrumentalist. This breadth of skill allows him to craft sounds that feel both deeply rooted and globally relevant.

On “My Steps”, Urchman makes a deliberate artistic statement. The track layers traditional church piano chords with Afrobeats bounce, Afro-swing melodies, and trap percussion. Rather than clashing, these elements complement one another, creating a composition that is as soulful as it is modern.

The production choices are purposeful. Gospel listeners hear the grounding comfort of the piano. Younger audiences catch the energy of trap snares and Afro-swing accents. The result is music that travels easily between Sunday worship, Spotify playlists, and house parties where faith and rhythm meet.

From a technical standpoint, Urchman’s fingerprint is everywhere. The piano holds the piece together, functioning as both anchor and invocation. The drums inject movement, while the Afro-swing melody adds a light, dancing quality. Subtle guitar flourishes and warm chords enrich the layers without overshadowing the vocals. Min. Joseph LB’s voice is presented with clarity and space, guided by Urchman’s precise vocal direction.

The reaction has been telling. In Port Harcourt, choirs are already reshaping the instrumental for live worship. Diaspora DJs are experimenting with the track in crossover gospel sets. On TikTok, the hook is catching on with young creators. It is rare to find a song equally at home in youth fellowships and social gatherings, but “My Steps” manages that balance.

For gospel music in Nigeria, this is a significant moment. While Afrobeats has surged globally, gospel has often been sidelined from mainstream recognition. This release shows that with the right vision, gospel can claim space on the same international stages.

As a music writer, what I see in Urchman’s work is more than production skill. His live music background lends authenticity. His multi-instrumental ability allows him to shape melodies with intention. His engineering expertise ensures polish. But above all, his vision bridges tradition and innovation in a way that feels sustainable, not just trendy.

“My Steps” is more than a song. It is a framework, a soundscape that suggests a future where Afro-gospel is not a niche but a global movement. And Urchman is positioning himself not as someone chasing that moment but as one building it.