From the first verse and visuals of “Italawa,” I found myself swept into a story where every detail was thoughtfully placed. “The beat didn’t just play; it’s the kind that gets your head nodding before you even realize it. And the lyrics? Clear and impactful. I couldn’t help but pause and take it all in. “Italawa,” “Eje Mi” featuring Bhadboi OML, “Loke,” “MVP,” and “Hallelu” featuring Afrobeats powerhouse Niniola came across as much more than just feel-good anthems. They also carry powerful themes of perseverance, ambition, and triumph that resonate widely, especially with anyone who is drawn to music with real meaning. “Loke” and “Eje Mi” struck a deeply personal chord with me; they feel raw, honest, and almost like personal confessions.

One detail in “Hallelu” that stood out was the unexpected appearance of “DJ Rosco”—a name that raises eyebrows until listeners realize it’s an alias for L.A.X himself. This clear shift in identity not only highlights L.A.X’s versatility as an artist but also showcases his brilliance behind the scenes. Another striking aspect of “Hallelu” was its effortless blending of Amapiano rhythms with Afrobeats. It wasn’t just a mix of genres; it felt like a bold creative leap—the kind of collaboration that breaks boundaries and sparks something fresh.

I felt L.A.X’s softer side come through in his love-inspired tracks and collaborations. There’s a genuine emotional depth in the way he connects with his featured artists, creating a kind of chemistry that feels effortless. Songs like “Let Me Know” with Ayo Maff and Taves, “Dr. Love” with Young Jonn, and “Pain Me” with Fireboy DML and Pheelz all moved me with their vulnerability. And then there’s “Lockdown,” “35th Floor,” “Julie” with Ajebo Hustlers and Clemzy, and “Sunshine” featuring Joeboy. The result is that each track feels like a genuine meeting of minds, where every song is a thoughtful exchange, with every contributor given the space to stand out.

From everything I’ve seen in his past interviews, it’s obvious that L.A.X.’s evolution hasn’t been random. It’s been deliberate and deeply thought out. In tracks like “MVP” and “Eje Mi,” L.A.X makes bold statements both sonically and emotionally, revealing an artist unafraid to venture into new territory. In his own words on “Eje Mi,” he says he doesn’t “care about the awards.” It made it clear that he’s all about growth and staying true to himself, rather than chasing validation or approval.

Each track on Nobody Like Zaza feels like a step forward, pushing the boundaries of what Afrobeats can sound and feel like. It goes without saying that in a genre overflowing with talent, L.A.X. isn’t just part of the scene; he sets his standard. Truly, there’s nobody like Zaza.