Nigerian-born, U.S.-based artist, Jonathan Imafidor, has been commissioned by the Government of Oyo State to create a monumental sculpture to be installed in Olunloyo Park, Ibadan.
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The groundbreaking artistic endeavour when unveiled is expected to reshape the creative landscape of the state.

The sculptural piece, which stands at an impressive height of 65ft and meticulously crafted from reclaimed scrap metals, will no doubt emerge as a powerful symbol of the region’s profound cultural heritage and artistic excellence.

In a virtual conference with the renowned artist, who is based in Atlanta, Georgia, it was noted that the artist is raised amid the resplendent natural beauty of Uneme-Nekhua, a small rural settlement in Edo State. He garnered international acclaim for his extraordinary talent and groundbreaking artistic vision.

His formative years were profoundly influenced by the captivating wonders of his environment. This unique upbringing has significantly shaped his artistic perspective and deepened his reverence for the intricate interplay between humanity and the natural world.

His artistic odyssey in the last two decades has traversed the realm of traditional canvas painting, to encompass large-scale murals and sculptures. Thanks to renowned sculptors such as, John Lopez, Nigeria’s Dotun Popoola, and William Massey under whose guidance Imafidor honed his skills.

This artistic exploration, it was learnt has led him to embrace the transformative energy of sculpting, using found metal object.

On why he embraced found metal objects otherwise repurposing, as a technique for his artistic style, the 2009 first class graduate in painting, who broke the 20 year first class hiatus in the Department of Fine and Applied Art, Obafemi Awolowo University, Ile-Ife, said: “Repurposing materials in today’s art market is highly valued and appreciated.

“It offers a unique and innovative approach to art creation by transforming discarded, scraps or unused materials into meaningful and thought-provoking creations.”

According to him, “the use of scrap metal, in particular, can add an element of sustainability and environmental consciousness to the artistic process, highlighting the importance of recycling and reducing waste.”

He continued: “Repurposing materials not only adds depth and layers of meaning to the artwork, but also aligns with the growing emphasis on sustainability and eco-friendly practices in contemporary art.”

Meanwhile, the proposed monumental sculpture will serve as a testament to the artist’s exceptional creative prowess. The art piece seamlessly fuses his commitment to ecological issues with profound connection to African cultural heritage.
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He said. “The awe-inspiring sculpture will feature three towering human figures, resplendent in their majesty and standing atop an intricately crafted pedestal. Among these figures, two will symbolise the valiant male and female warriors of the ancient Oyo Kingdom, embodying the region’s rich history and indomitable spirit. “The third figure, a masterful representation of a drummer, will pay homage to the vibrant cultural tapestry that defines the region.The pedestal itself will take the form of a broadcasting dish, an emblematic tribute to Ibadan’s status as the birthplace of Africa’s inaugural broadcast station.

“The Olunloyo Airport Park’s selection for the installation of this magnificent sculpture is known for its scenic beauty and cultural significance. And upon completion, the prominent position within the park will ensure that the artwork is accessible to residents and visitors alike.

“Beside that, the towering 65ft masterpiece will firmly establish itself as the tallest scrap metal sculpture in the entire nation, thereby propelling Ibadan to the forefront of artistic innovation and cultural significance,” he explained.

With more than four international awards, 23 sculptural pieces in public places in Nigeria, Turkey, France, United States of America and 17 group, joint and solo shows spanning 13 years, Imafidor’s artistic achievements stand as a testament to his exceptional talent and unwavering dedication to his craft.

On the work, he said: “The female warrior represents one of the most popular female warriors in the history of the Oyo Empire known as Queen Moremi Ajasoro. Moremi lived during the 12th century and was married to the king of Ife, a neighbouring kingdom to Oyo. When the Oyo Empire was facing invasion from a rival tribe, the Igbo, Moremi volunteered to act as a spy and infiltrated the enemy camp. She gathered vital information and shared it with the Oyo warriors, enabling them to successfully defend their kingdom. Moremi’s bravery and strategic contributions made her a revered figure and a symbol of courage and sacrifice.

“The male figure represents the most renowned male warrior known as Balogun Ogunmola. Ogunmola was a legendary military commander who lived in the 18th century. He possessed exceptional leadership skills and was known for his tactical brilliance on the battlefield. Ogunmola played a pivotal role in expanding the Oyo Empire’s territory and defending it against external threats. His military campaigns and victories solidified the empire’s dominance in the region and elevated him to legendary status among the Oyo people,” he said.

These two individuals, Queen Moremi Ajasoro and Balogun Ogunmola, he added, exemplify the valour and heroism displayed by warriors of old in the Oyo Empire, noting that their stories continue to inspire and resonate with generations, serving as a testament to the rich history and martial traditions of the Oyo people.

Imafidor explained that the third figure, a drummer symbolises the drummers of the Old Oyo Empire who were highly skilled musicians and respected members of society. They dedicated their lives to mastering the art of drumming and passed down their knowledge from generation to generation. Their contributions to communication, entertainment, and religious ceremonies were invaluable, shaping the cultural fabric of the Oyo Empire.
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