For Foreigners Everywhere, Orry Shenjobi storms Venice Biennale

From April 20, 2024, when the Venice Biennale 2024 will open its doors to welcome international artists, Nigeria’s Orry Shenjobi will be among those who are going to showcase their unique artistic vision and perspective.

Orry is not a familiar face in Nigeria’s exhibition circuit; however, she is an artist with abundant gifts: A trained product designer from the University of Leeds, her approach to ‘subjects’ is scientifically calculated.

A truly grandiose event in the world of art, the theme for this edition of Venice Biennale is, Foreigners Everywhere, and the festival’s new edition will be centred on the work of artists who have had first-hand experiences with this poignant subject.

Orry’s career trajectory was first noticed during her first show, Beauty Within The Struggle, which held from December 18 to 24, 2020 at Angels and Muse Art Gallery, Lagos. In two days of opening and with just 13 works, she had nine red stickers. Her journey was one that showed glimpses of an artist to follow and encourage.

The Creative Director of Studio Orry, in the exhibition, proved that she was a storyteller.

Orry and the Studio Orry brand were picked by one of the curators of the Venice Benniale after she stumbled on her work at the Venice International Art Fair in 2022.

After exhibiting in New York, in London and at the US embassy for Black History Month, Lagos and other esteemed locations, she was subsequently invited to participate in the 60th anniversary of the Venice Biennale, which marks a significant milestone in her career.

According to the organisers, “with the topics of displacement and refuge becoming a focal point of discussion in the past several years, the theme of the 60th edition of the Venice Biennale is a reflection of the current tragic state of the world.”

The curator of the 2024 edition and artistic director of Museu de Arte de São Paulo, Adriano Pedrosa, is first Latin American man to organise the Venice Biennale.

He revealed that the theme “is a nod to a piece by the Italian conceptual artist Claire Fontaine. Her installation is made up of neon signs with the phrase, Foreigners Everywhere, translated into different languages.

The new theme appears as a logical continuation of the 2022 edition, titled, The Milk of Dreams, which featured mostly female and non-binary artists. The 2024 show will similarly focus on works by artists from discriminated groups, such as immigrant and displaced indigenous artists, bringing stories of exile and alienation to the forefront.

The Venice Biennale 2024 will feature separate sections dedicated to modernist artists of the Global South.
Pedrosa aims to disrupt the notion of modernism being a strictly European and Northern American phenomenon. This portion of the exhibition will show how art movements originating in the Global North were appropriated and recontextualised by artists from Africa, Asia, and Latin America.

According to the organisers, “the show will traditionally feature national pavilions represented by specific countries.”

They said, “as the most important international art exhibition in the world, the Venice Biennale constantly strives to create a space for discussion and self-expression. The theme of the Venice Biennale 2024 not just encapsulates the mission of the show but can potentially become a point of change and innovation for the Venice Biennale. With the first non-European person as a curator, the show is potentially headed in a new direction, signifying a fresh page in its history.”

Orry brings a unique blend of creativity and social consciousness to her art. Her specialities encompass the realms of mixed media paintings and product design, forming the foundation upon which her artistic vision thrives.

Born in the vibrant heart of London and raised in the culturally rich tapestry of Lagos, Orry’s art beautifully reflects the fusion of these two dynamic cities. This duality of upbringing has profoundly influenced her work and heightened her social awareness.

Orry’s upcoming show is a remarkable celebration of Nigerian culture and community.
With an artistic vision deeply rooted in Nigerian heritage, Orry seamlessly blends traditional elements with contemporary expressions, such as painting or weaving recycled material through her artwork. Her unique perspective brings to life the vibrancy, diversity, and richness of Nigerian culture, offering an opportunity for the global audience to experience Nigeria’s artistic and cultural heritage.

“I feel honoured to be part of the Venice Biennale. The Biennale is a prestigious platform that showcases international talent. Diverse experiences have marked my journey, and at Venice, I aim to present a body of work that reflects my artistic evolution. Expect a fusion of my cultural roots and global influences, challenging traditional perspectives,” she says.

According to Orry, being initially from Nigeria and invited by the European Cultural Centre brings the desired cultural intersection. For her, this “will undoubtedly influence my work at Venice, adding depth and complexity to the narrative I want to convey.”

On her favourite medium and whether she will have same opportunity to express them in Venice?
“Oil has always been my favoured medium, allowing me to capture depth and texture uniquely. However, the Venice Biennale presents an extraordinary opportunity to push the boundaries of my creativity. In addition to my signature mixed media pieces, attendees can expect a dynamic showcase that delves into new dimensions through mediums such as film, sound and textile design. This diverse platform enables me to express myself in ways previously unexplored, creating an immersive and versatile experience for those who engage with my art,” she reflects.

In Venice, Orry is showing work that tasks sensibilities. She reveals, “my art style has evolved from two-dimensional oil paintings into intricate mixed media pieces incorporating three-dimensional elements. This shift mirrors my personal growth and responds to the changing world around us, notably addressing environmental concerns such as climate change.”

She retorts, “the constant exploration of new techniques and concepts has become a cornerstone of my creative process, reflecting a commitment to innovation and a dynamic engagement with the ever-shifting landscape of my art.”

She says, animatedly, “my artistic inspiration originates from the ordinary moments of everyday life, intertwined with the richness of cultural and personal experiences. The profound beauty in societal dynamics and unexpected places is a crucial palette for shaping my artistic vision. Moreover, my deep spiritual connection is a foundational source, infusing my creations with meaning and a transcendent dimension. Through this diverse blend, my art reflects the multifaceted layers of existence.”

How does she navigate the art industry?
Waving her hands as if offering them as a gift to her guest, she confesses, “navigating the professional art industry requires a delicate balance between creativity and business acumen. Building relationships, staying authentic to my vision, and adapting to the ever-changing landscape are crucial elements of my approach.”
From her seated position, passion lifts her voice and raises her out of the chair, she laughs and flicks her eyes; a shadow of hope rushes in.
“My wellspring of inspiration is drawn from the timeless practices of the old and the cutting-edge innovations of the new, spanning cultures, architecture, and design,” she says.
Orry adds, “I find profound motivation in elements that challenge conventions and push boundaries, weaving a tapestry that reflects the diversity of human experience. This eclectic approach allows me to transcend temporal and cultural boundaries, creating a dialogue between tradition and modernity within my art. By exploring emerging practices rather than merely following trends, I aim to stay relevant and actively contribute to the ever-evolving narrative within the art world.”

Is there a specific environment or material that’s integral to your work?
Talking slowly, the Creative Director of Studio Orry, says, “the African continent and places boasting significant black populations play an indispensable role in my artistic process. Serving as a catalyst, it profoundly influences the mood and narrative of my creations. The rich cultures, histories, and experiences become not just a source of inspiration but a vital force shaping the essence of my art. This connection forms a symbiotic relationship where the stories and vibrancy of these regions find expression in the fabric of my work, creating a dynamic interplay between heritage and contemporary exploration.”

When is your favourite time of day to create?
She wears a cheerful mien, as she speaks. Her round face broadens, convincingly and her dark colour glistens. “I prefer different times to create; inspiration strikes when it wills. Creativity knows no clock, and I am open to its flow at any moment. Whether it’s the night’s stillness or the day’s vibrancy, I embrace the spontaneity of artistic inspiration, allowing my creations to unfold organically whenever the muse beckons,” she says.

On how art is essential to society, she says, “art is a kaleidoscope of meanings within society, functioning as a mirror reflecting our collective existence’s essence. Beyond aesthetics, it is a powerful catalyst, sparking dialogue, challenging perspectives, and enriching our cultural tapestry. Art has the transformative power to inspire change, foster empathy, and act as a bridge connecting people across diverse backgrounds. In essence, art isn’t just an expression; it is life, capturing the vibrancy and nuances of the human experience.”

What motivates her to create?
She relaxes and a broad smile fills her face. She says, her eyes twitching, “my motivation to create stems from a profound desire to communicate, provoke thought, and evoke emotions. Art is a form of storytelling that transcends language and resonates on a transgenerational level.”

How does she define success as an artist?
Wearing a cheerful mien, her round face broadening convincingly and her dark colour glistening, she says: “Success is rooted in the capacity to establish meaningful connections with audiences, igniting conversations that resonate deeply. It goes beyond the metrics and accolades, encompassing my work’s profound impact on individuals and society. Evolution as an artist becomes a key metric, reflecting the dynamic interplay between my creative journey and the transformative influence on those who engage with my art.”
Orry confesses: “Art transcends the confines of a mere job or hobby; it is a lifestyle intricately woven into every facet of my existence. It is a powerful lens through which I perceive the world, cultivating creativity, resilience, and a distinctive perspective that extends far beyond my artistic endeavours. Art has been one of life’s most outstanding teachers, shaping my experiences and enriching my engagement with the world.

There is a feeling that you will be one of the youngest at the show. How does it feel to be recognised at a young age?
She smiles, as if surprised, adding, “being acknowledged at a young age is an incredibly humbling and motivating experience. It is a source of gratitude and fuels my dedication to artistic exploration. This recognition is a personal achievement and an encouragement to contribute meaningfully to the creative community. It is an opportunity to inspire fellow emerging artists, urging them to pursue their passions fearlessly. Above all, I give all glory to God.”