As nominations for the 2026 edition roll out, understanding how winners emerge at the Africa Magic Viewers’ Choice Awards may explain why some fan favourites fall short.
Debates over who deserves to win have started. Yet, as seen in previous editions, the conversation often turns into outrage once winners are announced.
Every year, claims of “snubs” and “robberies,” especially when loved actors or films fail to win. But in many cases, these reactions are driven by a misunderstanding of how the awards system works.
At the AMVCA, not all categories are decided the same way. Some depend on public votes, while others are determined strictly by a jury of industry professionals.
Voting categories
Certain AMVCA categories are open to public voting, giving fans direct influence over the outcome.
One of the most visible examples in the 2026 nominations is the Best Digital Content Creator category, where names like Mariam Apaokagi-Greene, Steve Chuks, and Elozonam Ogbolu are in contention.
In these categories, once nominations are announced, voting portals are opened to the public. Fans are expected to vote for their preferred nominees within a specified period.
The implication is that popularity alone is not enough. Visibility, fan loyalty and mobilisation determine outcomes. A nominee with a strong online following or coordinated support base is more likely to win than one who is merely admired.
This explains why some creators consistently dominate these categories, not necessarily because they are universally regarded as the best, but because their audiences show up when it matters.
For voters, participation is the deciding factor. Without it, support remains passive and has no impact on the final result.
Non-voting categories
In contrast, the majority of AMVCA awards are not open to public voting. These include some of the most prestigious categories, such as Best Movie, Best Director, Best Lead Actor and Best Lead Actress.
For the 2026 nominations, films like Gingerrr, The Herd and My Father’s Shadow are competing in top categories, alongside performances from actors such as Lateef Adedimeji, Mike Ezuruonye and Sola Sobowale.
These categories are decided by a panel of industry professionals, often referred to as the jury. The panel evaluates entries based on technical and artistic merit including acting depth, storytelling, cinematography, sound, and overall production quality.
Unlike voting categories, public opinion does not directly influence the outcome here. A film or performance may trend online or enjoy widespread popularity, yet still lose if it does not meet the jury’s criteria compared to other nominees.
This distinction is where misunderstandings occur. Viewers often react to outcomes in these categories as though they were decided by votes, when in reality, they are based on professional assessment.
Why the confusion persists
Part of the confusion comes from the visibility of certain nominees. Popular figures like or widely discussed films dominate public conversation, creating the impression that they are frontrunners across all categories.
However, visibility does not guarantee success in jury-decided categories. In many cases, quieter, technically stronger productions outperform more popular ones.
What this means
Understanding how AMVCA winners are decided changes how the results should be interpreted.
In voting categories, outcomes reflect audience participation. If a favourite loses, it points to a lack of sufficient votes rather than bias.
As the 2026 edition approaches, the distinction between voting and non-voting categories remains key. Without that clarity, the cycle of outrage that follows the awards every year is likely to repeat itself.
