Imo-born gospel minister, Evangelist Amarachi Joy, has released her highly anticipated new single, God of the Prophets, with a clear message: “God is still using real prophets. So, don’t let the fakes fool you.”
 
The bold and thought-provoking track challenges perceptions and spark meaningful conversations. Amarachi, whose evergreen hit, Favour Room, became the unofficial anthem for women in labour wards across Nigeria, says the message behind her new song came from a divine instruction.
  
“So many people no longer believe in prophecy. But that’s dangerous. We have allowed fake prophets to distract us from the real vessels God is still using,” she said.
    
With her unique blend of style, talent and conviction, Amarachi, in God of the Prophets, weaves biblical stories into a melodic rebuke of cynicism, painting pictures of Elijah, Elisha, and modern-day prophets who are real even if the world doesn’t see it through her lyrics.
 
“This song came to me through revelation. It’s a reminder that the prophetic mantle has not expired. Heaven still speaks. The song is not just a defence of true prophets; it’s a warning to those mocking the prophetic move, and a comfort to those still yearning to hear from God.
 
“It’s powerful, unapologetic, and carries the same fire that once made ‘Favour Room’ a nationwide hit. I’ve had pastors message me about this song. Some told me they wept when they heard it. Others said it reminded them why they answered the call,” she explains.
 
Unlike many gospel releases chasing radio rotation and TikTok trends, Amarachi sees her music as assignment, not entertainment. “I get my songs from dreams, trances, and serious prayer. I don’t write from vibes. I write from the Spirit,” the gospel sensation said.
  
As follow up, Amarachi has also released two other singles this season—See How Beautiful Jesus Can Be and Onye Dika Chi, both deeply spiritual songs that focus on the beauty of Jesus Christ and the unmatched greatness of God. But it’s ‘God of the Prophets’ that’s sparking the most conversation.
 
“It’s not just a song. It’s a reminder; a sound from the throne room,” she added.