Kokopelli Gallery showcases societal patterns, commonalities, interconnectedness, others
It was an exhibition of speaking arts that addressed the recurring patterns of the Nigerian polity, policies and economy alongside commonalities, interconnectedness, norms and values at Kokopelli Gallery in Lagos last weekend.
With a thematic preoccupation of ‘Parallel Passages: Typologies’, the exhibition got men and women from all walks of life who appreciate art in all its forms captivated by the works showcased by eight contemporary artists who used paintings, sculptures, and mixed media to illustrate.
The exhibition underscored the necessity for platforms where African creatives can express themselves, offering fresh perspectives on the societal landscapes they navigate.
Speaking at the event, Director, Kokopelli Gallery Mr. Dare Herald said the theme ‘Parallel Passages: Typologies’ showcases the recurring patterns in the Nigeria society across time, with artists interpreting them uniquely. “The narrative delves into societal commonalities and distinctions, illustrating our interconnectedness within a collective consciousness. The exhibition also sheds light on challenges faced by Nigerian artists, such as securing exhibition spaces and acquiring materials due to rising costs. It positions Kokopelli Gallery as a pioneering art showcase platform and an inspiration for artists in Africa, offering a receptive audience for their narratives. This is why the exhibition is strategically scheduled to remain open until December 30, 2023. The aim is to weave diverse real and fictional narratives, forming a bridge between artists and attendees.”
Herald emphasised the gallery’s commitment to being a storytelling hub, “We want to tell everybody’s story, and each piece exhibited here is at the core of the gallery’s hinge of storytelling. Stories are special, unique, and intriguing, they form the fundamental rock on which all art is created. So we want to be a platform where everyone can tell their stories.”
The artists included Chinezim Moghalu, Ronke Komos, Victoria Makinde, Okedoyin Luli, Imomoh Asemokah, Ayela-Uwangue Nosawema, Eghosa Raymond, and Babatunde Affiko.
Ronke Komos, one of the artists, spoke on the need for more spaces in the industry to accommodate growing artists who are still discovering their styles and the narratives they choose to pursue, as this helps them develop a stronger body of work while exposing them to critique. She said: “When I started professionally in 2012, I was still growing my craft and trying to find my niche, and it was difficult to find people that had interest to look at my earlier works and see the stories I was trying to express.”
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