Emotional Power of Theatre, Ayomide E. Aina Advocates for Reinvigorated Art Form

In a recent discussion with Guardian Nigeria, Ayomide E. Aina, a seasoned theatre practitioner, emphasized the profound emotional impact of theatre and its crucial role in fostering empathy. Aina, who...

Ayomide E. Aina, Theatre, emotions and empathy

In a recent discussion with Guardian Nigeria, Ayomide E. Aina, a seasoned theatre practitioner, emphasized the profound emotional impact of theatre and its crucial role in fostering empathy. Aina, whose journey began in church drama, spoke passionately about the art form’s ability to transcend mere entertainment.

“Theatre, at its core, is a reflection of our shared humanity,” Aina stated. “It’s not passive; it engages us, prompting our minds to ‘act along’ with the performers. This creates a powerful connection, a shared emotional experience.”

Aina’s career, marked by notable performances with the Ajon Players Troupe, Asanlu Entertainment Empire, Olokun Theatre Enthusiasts and Parach Theatre, underscores his dedication to the craft. He highlighted the transformative experience of “A Place Called Lekki” at the 2020 Lagos Theatre Festival, where the audience’s raw emotional response solidified his belief in theatre’s power.

“Witnessing the audience’s reactions, particularly the tears of deep emotion, reinforced the understanding that theatre cultivates collective empathy,” Aina explained.

Beyond performing, Aina is committed to nurturing the next generation of theatre professionals. He has mentored over 300 aspiring actors and, as a lecturer, focuses on both technical skills and the cultivation of emotional depth.

“It’s essential to equip young actors with the tools they need, but also to instill an appreciation for theatre’s emotional resonance,” he said.

Aina envisions a revitalized Nigerian theatre scene, one that reclaims its position as a vital cultural force. He stressed the importance of recognizing theatre’s potential to heal, educate, and inspire.

“My aim is to contribute to the growth of Nigerian theatre, to see it recognized as a cornerstone of our artistic landscape,” Aina concluded. “We need to support its evolution and ensure that its stories are not just told, but truly felt.”

Guardian Nigeria continues to follow the development of the Nigerian theatre scene, and the work of those like Ayomide E. A. Aina, who are striving to elevate the art form.

 

Musa Adekunle

Guardian Life

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