This is Africa too
A few months ago, at a recent forum on ‘Africa and Media,’ I got into a vibrant discussion with another African writer about the types of stories we choose to tell about the continent. From my understanding of her viewpoint, she was concerned that in trying to “change the narrative” of Africa, people would begin to “whitewash” certain realities in Africa; like poverty, unemployment, hunger, and other destitute factors affecting many Africans across the continent, and which she felt, were the significant issues important to write about and the stories to be shared.
She said that as someone born and raised in Africa, she wasn’t interested in new narratives, what she referred to as “private jet owners” or “fashion stories,” that she felt stemmed from a colonial mentality of Africans’ need to justify themselves by western standards and for western eyes. To be honest, I listened in disbelief. But after having more discussions on this topic I’ve also found that quite a few people hold this opinion that there are certain narratives about Africa that should be prioritized out of a sense of responsibility to the continent’s continued development. However, this suggests to me a limited imagination only allowing room for extremes, and that given a choice between the two – poverty-stricken or successful and rising – people like this writer, feel it is more beneficial to tell the world about Africa’s poor, needy and destitute, than to promote narratives about a rich and diverse Africa. Because, the argument claims, people need to stay aware that Africa and her citizens are still in need of so much for basic survival and development.
Unfortunately, I vehemently disagreed with this line of thought, which led to my heated discussion with the writer. I have no fear of overwrought narratives of a poor and destitute Africa being whitewashed by narratives of a rich, vibrant and pulsating Africa replete with stylish and success-driven citizens and cities. On the contrary I think we need more of those sorts of stories and media portrayals to counter balance what already exists in popular cultural imaginations of the continent. But her comments did make me rethink something, that maybe instead of using the phrase, “change the narrative,” a more suitable term would be “expand the narrative,” because these stories that she and others are invested in telling are in fact true and necessary stories of Africa.
Poverty, hunger, unemployment, disease, lack of basic amenities is the reality for many people, and these stories do need to be told because ongoing awareness, action, development and change are essential for a more equitable continent. But the only problem is that the world is already more than familiar with these narratives. So familiar that many outside of Africa are tempted to think that this is the only true reality of the continent, that need and destitution is the only true story. It is one reason that people can jump on the bandwagon of such an ignorant, racist and disgraceful comment such as that made earlier this month by the 45th President of the United States of America. When few alternate narratives are made available, it only helps to continue to limit people’s imagination about Africa and what it means to be African. If we don’t make the effort to share our own stories and images about the multiple realties of the continent then we’re simply continuing to allow outsiders to shape the larger imagination of what it means to be African and what it means to live in Africa.
Which is why the role of writers, musicians, painters, photographers, filmmakers, essentially what I think of as culture-bearers is so powerful and necessary. It is possible to control our own narratives in a way that can radically shift global perceptions. On a whim, I created an Instagram page called @ThisIsAfricaToo, and posted a few pictures of images that show Africa in ways many people overseas probably are not used to seeing. As I go about my daily life in Nigeria and on my travels throughout the continent I will continue to share these images that show other sides of our cities and countries than people may be used to. They will be images that suggest more than one reality and more than one tried and trite narrative. I invite people to share their own photos of the beautiful and rich Africa they know, and to tag the Instagram handle @ThisIsAfricaToo. It’s a small action but a picture speaks a thousand words. That writer I engaged with earlier would question why we feel the need to shift global perspectives if we ourselves know what is true about ourselves. Well, to put it in a very elementary way, because Africa is not a continent in isolation from the rest of the world and the world needs to know and hear our multiple truths in order to engage us appropriately.
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